Storytelling; Images, objects, words
Huge thanks to all participants in our second re_fabricate session yesterday (and particularly to Joe Kerr, Gabrielle Stevenson and Libby Vale, our co-presenters)
This was an exciting session, which included walking out into Hereford, creating our ideal transdisciplinary studios, learning about De Certeau’s narrative theory, engaging in some active note-taking to draw theory and practice together, hearing the critical voice of crafts with Libby Vale’s quilt, and curating our museum of unfinished curiosities.
The session unfolded as follows:
Creating our ideal transdisciplinary studio
Images of the posters we created below:
Led by Joe Kerr, this was an amazing experience. We learned live about the eclectic nature of our building here at Hereford College of Arts, the different styles of architecture within the building, from tiles to bricks (and what they say about the society of Hereford and the architect). We walked on a short trip around the college environs, studying social housing, and discovering Hereford’s very own Garden City, less than 500 yards from College. We all loved this walking part of the session.
The image below was taken just before we set out:
3. Curating the Museum of Unfinished Curiosities
We quickly launched into the second half of the session by curating a ‘museum of curiosities’ – creative work or objects that we were intrigued by. This is an ongoing work in progress (currently in my office) and we can add to it through the weeks of Re_fabricate.
4. Gabrielle Stevenson at the edge of practice exploring De Certeau’s ideas
Theory and practice met again when Gabrielle took us through some of De Certeau’s thoughts on the landscape of theory and practice and his notion of a ‘third man’ which is a kind of theory-in-practice. De Certeau’s arguments around how we have created false binaries (tacit/articulate; theory/practice; unconscious/conscious) are hugely relevant today, and Gabrielle’s own theory – that the ‘third man’ is a storyteller, something very exciting for us all to hear about. She is an illustrator and writer; an exciting combination.
It’s lovely to work with an illustrator/theorist who crosses boundaries in this way and we’re so lucky that Gabrielle wants to be part of our creative community (we’re planning some surrealist game sessions post-re_fabricate)
5. Libby Vale: textiles as critical political voice and call to arms
Huge thanks to Libby for sharing her stories, music and ideas with us, and for bringing in her amazing quilt, which uses nursery rhyme and embroidery to transform a domestic object that usually signifies ‘safety’ into a challenge for society to hear the story of migrant prostitution.
What struck me particularly here is how well the quilt made a strong, unequivocal political message. When we think of ‘research’ we often think of papers or conferences – but this quilt embodied research in a way that communicated Libby’s ideas to a broad audience in a very emotive way.
How we disseminate our research is incredibly important, and something that I hope the Scholarship Framework will continue to discuss past April.